Ghosts Of Aviation - another project from the Polatin-Reuben stable. All tracks written, perf
Ghosts Of Aviation Art 2 medium copy
ormed, produced and engineered by Ghosts Of Aviation in Bristol, UK. Instruments: Laptop PC's (x2), Cubase SX3, Korg VST (LegacyCell, Polysix, MS-20, Electron), Yamaha CS1x synthesizer, Korg Monotron synthesizer, Schecter Hellcat electric guitar, Vox Valvtronix AD100VTH guitar amplifier, Harley-Benton 5-string bass, Alesis SR-16 drum machine, Boss ME-50 guitar effects, odd bits & bobs.

Past projects include; DC Chemical, Nietzsche's Daughter, Gay Android, Radio Ba'al, Eyes Like The Sun, Dissident Noise. POST-MODERN, EUROMERICAN, ECLECTRONIC, PAINT-STRIPPER, CARAMEL, SOUNDTRACK MUSIC. According to Kramer (Kramer 2002, 16–17), postmodern music: 1. is not simply a repudiation of modernism or its continuation, but has aspects of both a break and an extension 2. is, on some level and in some way, ironic 3. does not respect boundaries between sonorities and procedures of the past and of the present 4. challenges barriers between 'high' and 'low' styles 5. shows disdain for the often unquestioned value of structural unity 6. questions the mutual exclusivity of elitist and populist values 7. avoids totalizing forms (e.g., does not want entire pieces to be tonal or serial or cast in a prescribed formal mold) 8. considers music not as autonomous but as relevant to cultural, social, and political contexts 9. includes quotations of or references to music of many traditions and cultures 10. considers technology not only as a way to preserve and transmit music but also as deeply implicated in the production and essence of music 11. embraces contradictions 12. distrusts binary oppositions 13. includes fragmentations and discontinuities 14. encompasses pluralism and eclecticism 15. presents multiple meanings and multiple temporalities 16. locates meaning and even structure in listeners, more than in scores, performances, or composers

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